The reconstructed truth can be very diverse. Now, I’m trying to induce every potential possibility through the object. Choosing your own experience from this multiplicity will be the minimal difficulty you would encounter with my art work.

The object interests me because it is a body-experience. It is an extremely ordinary everyday experience where personal and archetypal experiences co-exist. In the interaction of these experiences, objects continue to be united, decoupled, repeated and reproduced, which function in multiple ways throughout different relationships. In this sense, object does not simply mean something tangible, but indicates an expansion of image, sound or virtual space, which is based on our experience. My work is to capture the structures of various objects by analyzing our actions and environment and to achieve a reconstruction of those experiences by assembling deconstructed elements. Through this reconstruction process, this work shows how many various silhouettes exist in the essence of every object in our experience from various places and different timeframes.

Banality is a base that allows the coexistence of diverse experiences and archetypal symbols. It is only relatively different from the particular. Small insignificant objects of our daily lives are closely linked to our reality. An object can represent our desire through endless associations or generate another desire. It shows our thoughts and ideas as the notion of «meaningful object.» Here, the general idea that human dominates and controls objects is no longer in effect. The object has a force that can change its own way our lives. And this force generates desires that shape the practical aspects of our lives. Conflicts between the ‘archetypal experience’ and ‘personal experience’ play a central role in generating an ideology that guides our lives. Thus, the various silhouettes of objects observed in my artwork are the various ideologies of our social lives hidden behind a mask of an object.

Exhibitions 

2019

International Modern Art Exhibition, Art Palace of Georgia, Tbilissi, Georgia

2018

Gwanak Modern Art Contest, Pyoungchon Arts Hall, Anyang, Corée du Sud

2017

International Modern Art Exhibtion, Samtan Art Mine, Jeongseon, Corée du Sud

2017

Autour de Gérard Xuriguera, Galerie Roy Sfeir, Galerie Samagra, Paris, France

2017

Confrontations, le président, Paris, France

2016

Spoon art show, KINTEX, Ilsan, Corée du Sud

2016

Love song, Dulcie galerie, Nantes, France

2016

Extraordinaires objets de l’ordinaire, la Galerie Abstract Project, Paris, France

2015

Extraordinaires objets de l’ordinaire, la Galerie des Ateliers d’Artistes de Belleville, Paris, France

2015

Plein et Vide, Espace Commines, Paris, France

2014

Butterfly from the Kaleidoscope, Fellini Gallery, Berlin, Allemagne

2014

Séparément, encore Ensemble, Espace des arts sans frontière; Paris, France

2013

Sympathie , Pont des arts Gallery, Paris, France

2013

Muptiple aretes , Emoa Space Gallery, New-york, les Etats-Unis

2013

Butterfly out of Eden , Fellini Gallery, Berlin, Allemagne

2012

Juste Avant 3, la Galerie Michel Journiac, Paris, France

2011

Exposition Noel, L’ancien Musée de la peinture, Grenoble, France

2011

Hyunjung LIM, MAPRA (Maison arts plastiques Rhone-Alpes), Lyon, France

2010

Gleeky Flow, SpaceKraft Pompadour ,Lyon, France

Awards 

2017

3nd place, Prix of  ‘Gwanak Modern Art Contest’

Documentary

2013

2011

Interview ‘Out of range but still in tune’, Magasine Art Parasite, Berlin

 

Documentary Film ‘ASSEMBLAGE - Hyunjung LIM’ - realized by Thésée,
Project supported by Airport Lyon

Education 

2009 - 2011

DNSEP (option art) à Ecole Nationale Supérieur des Beaux arts de Lyon, France

2006 - 2009

DNAP avec mention (option Art) à Ecole Nationale Supérieur des Beaux arts de Lyon, France

1999 - 2005

Licence de la littérature anglaise à l’université Dan-Kook, Seoul, Corée du Sud